As the end of March drew nearer, central Europeans could still hear the station from afar, a muted signal behind some gentle, steady noise. The “Voice of Russia” targeted Australia and New Zealand with an English-language program of four hours daily, from the transmission site of Angarsk, near Irkutsk. Those appear to have been the last programs in English. Chances are that some programs in Japanese were also still aired at the time. A shortwave listener in Taipei kept listening to VoR’s Chinese programs on shortwave, right to the end on March 31 (his post contains some recordings).
Listeners who wrote inquiries to VoR got a reaction. But overall, very little, if anything, was mentioned in the programs on shortwave, about the nearing end of the service. For sure, no words of respect were lost about the medium’s use during some eighty-five years of Russian external broadcasting. Maybe they hadn’t been of much use after all, as the message never seemed to sink in in the target areas? In that case, you could hardly blame shortwave.
On April 1, all of VoR’s shortwave transmissions had become history.
The “Voice of Russia” (VoR), formerly known as Radio Moscow or Radio Moscow World Service, only exists as a brand now, within the media empire of Russia Today, which also swallowed Ria Novosti. “We will use the old brand for the time being, but leading international specialists are already working on the new brands and they will be ready soon, the “Voice of Russia” and/or Interfax quoted Russia Today’s editor-in-chief, Margarita Simonyan. A renewed English newswire would be launched on April 1, and it would be available round-the-clock on June 1.
No additional funding would be needed, the editor-in-chief was quoted as saying: “We are not asking additional money for all that, which means we will have to optimize something to get resources for the creation of something more modern. We will stop using obsolete radio broadcasting models, when the signal is transmitted without any control and when it is impossible to calculate who listens to it and where.”
Indeed, this had been the message of Vladimir Putin‘s presidential decree in December, on certain measures to raise the operational effectiveness of state-owned mass media.
On the same day, December 9, Ria Novosti offered a comparatively candid interpretation of the decree: The move is the latest in a series of shifts in Russia’s news landscape that appear to point toward a tightening of state control in the already heavily regulated media sector,
Ria Novosti wrote, and added that
In a separate decree published Monday, the Kremlin appointed Dmitry Kiselyov, a prominent Russian television presenter and media manager recently embroiled in a scandal over anti-gay remarks, to head Rossiya Segodnya.
Russia Today is the English translation for the actual Russian name, Rossiya Segodnya. Rossiya Segodnya, however, is apparently not related to the English-language television channel whose name had also been “Russia Today”, Ria Novosti wrote.
Ria Novosti then added some more information, beyond its own dissolution:
RIA Novosti was set up in 1941, two days after Nazi Germany invaded the Soviet Union, as the Soviet Information Bureau, and now has reporters in over 45 countries providing news in 14 languages.
Last month Gazprom-Media, which is closely linked to state-run gas giant Gazprom, bought control of Russian media company Profmedia from Russian billionaire Vladimir Potanin. In October, Mikhail Lesin, a former Kremlin advisor, was appointed to head Gazprom-Media.
Reuters also reported the Gazprom-Media story, in November last year.
Radio Moscow, the “Voice of Russia’s” predecessor as the Russian (or Soviet) foreign broadcasting service, was a superpower on the air, during the 1980s. 2094 program hours per week are said to have been produced in that decade, compared with 1901 hours per week by their American competitors at the Voice of America (VoA).
The discrepancy was even greater when it came to transmitters and kilowatts,according to German newsmagazine Der Spiegel at the time: while Radio Moscow had threehundred transmission sites at their disposal, it was only 110 on the American side – and VoA only had one-twentieth the budget of Radio Moscow.
That was to change, at least in relative terms: the Reagan administration had convinced Congress to provide considerable funding. But as the Cold War came to an end, government interest on all sides in foreign broadcasting faded.
As far as Russia’s external broadcasters, now named “The Voice of Russia”, was concerned, not only the financial or technical equipment weakened, but so, apparently, did their self-image. Religious and esoteric organizations populated many last quarters of the Voice’s – still numerous – broadcasting hours in German, and at least among German-language broadcasters, there seemed to be different concepts of what would be successful or professional coverage of Russian affairs, a feature by German broadcaster DLF suggested.
The broadcasting house certainly no longer came across as the elites’ jumping board, as a place where Egon Erwin Kisch or Bertolt Brecht once worked.
The Kremlin, apparently, saw neither glory and soft power, nor a sufficient degree of checkability in VoR and put an end to the station. It’s hardly conceivable that it could still be revived as a mere “brand”, without actual radio whose signals would reach beyond a few square miles.
But “daily Russian life” – something Russia Today is supposed to cover – may still look different from the ideas of the “new generation” of media planners. On ham radio bands with wide reaches, Russian operators are active above average. And even if Margarita Simonyan, the editor-in-chief of Russia’s new propaganda mega-medium, may be unaware of ham radio or finds it uncool, her boss, Dmitry Kiselyov, should still like it: a ham radio contest commemorating Yuri Gagarin’s 80th birthday.
After all, the internet is a rather non-traditional form of propaganda.
Will Putin’s message sink in, where Stalin’s, Khrushchev’s, or Brezhnev’s mostly failed? If not, don’t blame shortwave – and don’t blame the internet, for that matter.