China’s New Normal is the Old Decadent Normal

At some point during the past fourteen years of blogging, I began to feel bored by Chinese press reviews. They weren’t funny anymore,  or that’s how I felt about them anyway. They had been comical until spring 2012, if I trace the involuntary jokes back correctly, and then lost their luster.
But give a secretary-general of the Communist Party of China a lifetime job, and the fun will be back. A man with powers only held by Mao Zedong (and certain emperors) before him reopens the pandora box of ingratiation, sycophancy and loss of touch with reality that have made China great.

Xi speaking, cadres taking notes – CCTV evening news on July 24, 2013.

Here’s Xi Jinping’s vision of shared future, and its place in history:

Thousands of years ago, China envisaged a world where people would live in perfect harmony and be as dear to one another as family. Today, President Xi Jinping has given the world such a vision in the concept of a community with a shared future for mankind.

Don’t get me wrong: the “One-Belt-one-Road” initiative has been a fairly clever approach to foreign relations. Even cold warriors like yours truly never hesitate to learn from fascists like Xi when they get something right. In the case I remember, in April 2015, on a state visit, it was just the right bit of ingratiation and – calculated, I suppose – loss of reality. (It was just Pakistan, and there was therefore no danger that the great helmsman would be overegging it. The loss of reality was Pakistan’s problem, not Xi’s.)
But it’s a different story for China when Xi’s subjects sing the praise of their overlord. Extreme flattery is where madness sets out from, and loss of reality is how it continues. Or, in the words of Jacques Ellul, a French sociologist and theologican (1912 – 1994)^*),

In an article in Pravda in May 1957, the Chinese writer Mao Dun wrote that the ancient poets of China used the following words to express the striving of the people toward a better life:
“The flowers perfume the air, the moon shines, man has a long life.” And he added: “Allow me to give a new explanation of these poetic terms. The flowers perfume the air — this means that the flowers of the art of socialist realism are incomparably beautiful. The moon shines — this means that the sputnik has opened a new era in the conquest of space. Man has a long life — this means that the great Soviet Union will live tens and tens of thousands of years.”

Ellul’s comment:

When one reads this once, one smiles. If one reads it a thousand times, and no longer reads anything else, one must undergo a change. And we must reflect on the transformation of perspective already suffered by a whole society in which texts like this (published by the thousands ) can be distributed and taken seriously not only by the authorities but by the intellectuals. This complete change of perspective of the Weltanschauung is the primary totalitarian element of propaganda.

One might object that this isn’t funny at all. I can see that point, and I can even feel a bit of the pain myself. But I also believe that the most comical stories grow in the most terrifying gardens. Chinese propaganda is making fun of itself  again – not because of a sense of self-irony (there’s nothing like that), but because Chinese public life has become living satire again.
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Notes

*)	Jacques Ellul: “Propaganda – the Formation of  Men’s Attitudes”, New York, 1968, 1973

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